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Category Archives: Cambridge

Unknown Etch – Horse and Man – Not unknown any longer – Cambridge

17 Wednesday Oct 2012

Posted by d.b. in Cambridge

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Horse, Jam jar, Man, Trees

This is an update to the update of August 1, 2012 posting.

I wrote to the experts at the National Cambridge Collectors site and got this response about this piece:  “Cambridge issued a general catalog circa 1920-21 ( the precise date has not been determined) bearing the designation Catalog No. 10.   In this catalog, among many other offerings, were  six combination etchings ( each made up of two etchings), all of which were shown on Marmalades.  These combination etchings were designated Plate Etching 1, Plate Etching 2,  etc., through Plate Etching 6.  Each uses a distinctive main etching with a border etching around the top of the marmalade jar.

 The “rearing horse and man” etching with its border  was designated (P)late (E)tching  3.  The No. 152 pertains to the actual marmalade jar itself and is not connected to the etching on the piece.  While the number 525 fits the time period, I have not been able to locate any Cambridge Glass Co. reference for this number being used to designate the rearing horse with man etching.  The border etching used in conjunction with the Rearing Horse and Man etching was No. 625.
None of these etchings appeared in the next known general line Cambridge catalog issued in 1927  Due to the infrequency with which PE 3 is seen, it can be concluded it was in the Cambridge line for only a short period of time.  The precise dates have not been determined but would fall into the time period,  1915 or later to the early 1920s.”
This is an update to the original February 25th posting.

I have finally gotten around to posting queries on the marvellous site – Elegant and Everyday Glass Forum.  I posted this and asked if anyone recognized it.  I had replies and an ID in less than 20 minutes!

This is what I have learned…..this is a marmalade #152 with the Cambridge etch #525 as posted by the Miami Valley Study Group.  The border etch is #625.  The age of the piece is unknown, but the replies seem to indicate a possible 1920s date.

Such a thrill to obtain an ID.  I’ve posted another query and actually submitted two photos to their gallery.  Check it out, it’s a great site with very knowledgable participants.

We went to an auction in Brighton yesterday.  I came home with quite a few items, including alot of old china, that I didn’t need.  This jar caught my eye.  It is unlike anything I own, or have seen.  I know that it is difficult to see the etch, but there is a man trying to control a rearing horse.  I would not have likely picked it up, but the etch around the top resembles an etch on a jar that I own and I think it is a Cambridge etch.  The top is silver plate, although I don’t know if it is original.  I have two or three other jam pots and their lids are all crystal.  I will look to my books to identify this piece, but I have no recollection of seeing anything like this.  I am sure that some of my other purchases will show up, although I gave away a decanter and a sugar/creamer set that I bought to my daughter-in-law (without taking photos!).  What WAS I thinking?

Cambridge Cracker Barrel

19 Sunday Aug 2012

Posted by d.b. in Cambridge

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OK  another update to the original, and subsequent post.  I have discovered that this pattern is called line 2631 – “Marjorie”.  It was produced in 1905.  The piece is a double handled cracker jar with cover.

I identified it on the marvellous site – the Miami Valley Study Group of the National Cambridge Collectors, Inc.

Nice to know what it is.

Second post –

Happy Birthday to my First Born, Wonderful Daughter….read about your inheritance!………

I have left the language of my original post….but I have made a discovery.  Tonight I was looking at this piece when I noticed that there was a marking of <Near Cut> on the lid.  Turns out this is an old Cambridge piece.  This is what ArtFact says about Cambridge and this mark –

“The Cambridge Glass Company was chartered in 1873 by a group of Cambridge, Ohio, business investors. The site for a new glass factory for a National Glass Company did not begin to take shape until 1901 under the leadership of Arthur J. Bennett, a native of England who was hired to manage the new factory. The first piece of glass (a three pint pitcher) was produced in 1902. The glass produced was heavy pressed items that were based on Bennett’s designs.

The first company trademark was instituted between 1903-4 when the terms “Near Cut” were pressed in the glass. Financial troubles required refinancing — Bennett obtained sufficient to purchase the entire Cambridge Glass Company. It expanded to include another plant at Byesville Ohio that by 1917 shut down. In the 1920s a new trademark with the letter “C” enclosed in a triangle identified works made at Cambridge Glass. The firm grew successful through the 1930s to become one of the most prosperous decorative glass companies known in this country and abroad. It was closed in 1954 and sold to Imperial Glass headed by Sidney Albert of Akron, Ohio. Sales were poor after 1955 and a year later Morrison Industries Ltd. of Boston, MA. acquired the company.”

I haven’t discovered the pattern name, but I am pleased to kind of determine that it is likely considered to be a cracker barrel (like the cheese).

You just never know when you are going to find something out!

My original post……………………………………My friend Marie brought this back from England. Having magpie tendencies, I had to have it because it is so shiny.  Marie referred to it as a Biscuit Barrel, although she wasn’t really sure.  It is about 5 inches tall and 8 inches in diameter (I haven’t measured it and can’t find my tape).  Very pretty.  Someday I need to learn more about cut and pressed glass. I do not have the eye to distinguish the patterns and it isn’t marked.  Right now it is sitting in my office window picking up the light.  I like the handles very much.  Looks like an overgrown sugar bowl.

 

Cambridge Rose Point Creamers and Sugar

21 Tuesday Feb 2012

Posted by d.b. in Cambridge

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Tags

Floral

I picked up a number of pieces with this etch on the weekend at an auction.  I got these items, a relish dish and a footed cake salver.  I was bidding on a large bowl, but let it get away from me.  Took awhile to identify, although I read that this is one of Cambridge’s most popular patterns.  It’s very pretty, with wee, little dainty flowers.

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